Emily's Emmy picks!

The nominations are in, and awards season is a glint on the horizon. In a little over a month, we'll find out who (according to Emmy voters) in television is among the best of the best. Usually the voters in question have a slightly different opinion than I do as to who exactly is the best of the best, so here are my picks:

It occurs to me that the only drama I consistently follow is Lost, but now I don't even have that, making my picks for any of the drama categories slightly biased. The Supporting Actor in a Drama Series category has me torn between two of the best actors on Lost, in my opinion. Michael Emerson always made me cringe (in a good way, a good cringe) as the awesomely creepy Benjamin Linus, and Terry O'Quinn showed us a different side of John Locke at the end of the series as Anti-Locke. Lead Actor is going to have to go to Matthew Fox (even though I really, really do not like Jack. Okay, I hated him less at the beginning and the end.). The only Lead Actress nominee I've seen in action is Law and Order: SVU's Mariska Hargitay, who has only snagged one Emmy out of her six nominations, which was back in 2006, so maybe she's due another. I'm going to root for Mad Men's Christina Hendricks for Supporting Actress, based solely on her performance in Firefly.

I follow far more comedies, which makes it a little easier to be balanced. Supporting Actress in a Comedy Series will most likely go to Jane Lynch as her hilariously awful Sue Sylvester in Glee, which I could support, though it would also be great for Kristen Wiig to finally get her due for SNL, or Jane Krakowski for 30 Rock, but if I were a betting woman, it would be Jane Lynch all the way. My Supporting Actor pick has not changed for the past few years, and after four noms, I want to see a win. I will root for Neil Patrick Harris as How I Met Your Mother's Barney Stinson until he finally gets the award he deserves. For Lead Actress, I'm torn between my undying love of Tina Fey's Liz Lemon and my relative new love for Amy Poehler's Leslie Knope. So I'd rather not go there, thankyouverymuch.

I now move on to another paragraph for the bloodbath that is the Lead Actor in a Comedy Series category. I feel like I need to first apologize to both Steve Carell and Alec Baldwin for this, but I have to go with Jim Parsons as everyone's favorite neurotic physicist Sheldon Cooper on The Big Bang Theory. He's kind of how I picture myself, if I were male, lacked social skills, was good at science, and had a degree or two.

Outstanding Drama Series is kind of a given, considering my prior comments--I'm not even going to insult your intelligence by naming my choice for the award. For Outstanding Comedy, however, I'm a little bit torn. I have to go with 30 Rock. I love The Office and Glee, but 30 Rock has been able to consistently make me laugh more than any of the others nominated.

Miscellaneous Awesome -

Outstanding Original Music and Lyrics

How I Met Your Mother - "Nothing Suits Me Like a Suit" - Girls Vs. Suits - Carter Bays and Craig Thomas

Outstanding Music Direction for a Series (Original Dramatic Score)

Lost - The End - Michael Giacchino, Composer

Outstanding Supporting Actor In A Miniseries Or A Movie

Hamlet (Great Performances) -

Patrick Stewart as Ghost / Claudius

Outstanding Guest Actor In A

Comedy Series

Glee - Dream On -

Neil Patrick Harris as Bryan Ryan

Outstanding Guest Actress In A

Drama Series

Lost - The End -

Elizabeth Mitchell as Juliet Burke

Outstanding Reality Program

Mythbusters

Outstanding Writing for a Drama

Series

Lost - The End

Damon Lindelof, Writer

Carlton Cuse, Writer

Outstanding Writing for a Comedy

Series

30 Rock - Anna Howard Shaw Day

Matt Hubbard, Writer

I'm sure you all have noticed that I seem to be slightly ignoring Glee's 19 Emmy nominations. I'm not ignoring them, by any stretch. I love Glee, I really do, but to me it's sort of like a cool new friend at school. You like hanging out with this person, and think he/she is interesting, but you still have a core group of close friends that you would drop everything for. Glee and I are still in the first stages of our relationship, and I would feel a little like I was betraying my other sitcoms if I chose Glee over them.

Something that frustrated me a little bit is the total snubbery toward one of NBC's best new shows, Community. I got in on Community a tad late in the game, (like, two weeks ago) and fell in love with it.

Gone, but not forgotten; or, why are so many awesome shows cancelled?

It seems that as soon as I blogged the praises of the mystery drama Happy Town, with Amy Acker and Abraham Benrubi, among others, they were destroyed with the kind of heartless indifference that every TV fanatic is quite familiar with. (Sure, the first episode wasn't perfect, but it was just compelling enough for me to look forward to the next episode. I had hope!)

While this isn't nearly of the same caliber of other quickly cancelled shows, it got me thinking about great television that can't seem to make it. Here's a list of six great television shows that only had two seasons or fewer:

Firefly-- 1 season, 14 episodes

Those who know me probably saw this one coming, but there's no way this could not be on the list. Joss Whedon's Firefly was a show unlike any other (I mean, it was awesome. A group of misfits on a spaceship, and sometimes they steal things, oh and there was cowboy stuff too and guns and kung fu and horses), and developed a cult following. The following was so great that on its cancellation, the fans rallied, and a movie was eventually produced to give us a(n almost) satisfactory ending. The show also helped along the careers of the fantastic cast. The amazing Nathan Fillion now stars in his own ABC drama Castle (and it's awesome), Summer Glau and Alan Tudyk both had recurring roles in Whedon's most recent series Dollhouse, and Morena Baccarin stars in ABC's V (see my previous post).

Freaks and Geeks-- 1 season, 18 episodes

Freaks and Geeks was a true-to-life portrayal of high school life in the 1980s amongst those who kept to the fringe of society. I don't really get why it was killed so quickly, personally, but it helped launch the careers of most of its main cast, most notably James Franco, movie star (and now General Hospital regular, apparently), Seth Rogen, movie star, and Jason Segel, who co-stars on one of my favorite shows currently on, How I Met Your Mother. Oh, and John Francis Daley, who plays kid brother Sam, is now a regular on awesome crime drama Bones.

Studio 60 On the Sunset Strip-- 1 season, 22 episodes

Before I sing the praises of this awesome show about the goings-on behind the scenes of an SNL-esque sketch comedy show, I must first make a confession. I have only seen three episodes of West Wing creator Aaron Sorkin's acclaimed Studio 60. I know, I know. "But it's a television show about television! It would only stand to reason that you, as a television addict, would love it!" Yes, dear readers, it would. And yet. But it is on my list. There are so many television shows and only so many hours in the day. Aside from that, what I did see was great, and I highly recommend it. And, to all of my Sorkiphile friends, I will watch it, don't worry. :)

Pushing Daisies-- 2 seasons, 22 episodes

Pushing Daisies was a show that, even before the first episode aired, I knew would be unlike anything I had ever seen.

1. It's simply gorgeous. The colors are vibrant and in-your-face.
2. The plot is completely original.
3. The characters are over-the-top and so much fun.
4. Oh, and it had Kristin Chenoweth, my musical theatre hero. :]

I absolutely loathe the term "dramedy" (for really no reason I can discern), but I can't really think of anywhere else to put it. It really deserves its own genre of super-awesome fantasy/drama/comedy/musical. It's also a show that I kind of new was doomed to fail. As soon as I saw how amazing the story of a piemaker who could bring the dead back to life was, I was incredibly afraid of getting attached. Lucky for me, since it landed in the middle of the writer's strike, it was given a second chance and a second season. Never mind that they aired the last few episodes when it was all but impossible for anyone to actually see them. (Sound familiar, Browncoats?)

Dollhouse-- 2 seasons, 27 episodes

When I first learned of Joss Whedon's new show Dollhouse, I have to admit I was a little giddy. I had just finished Buffy and Firefly, and the prospect of more Joss was just what I needed. The plot, just like all of his other projects, was completely original, an illegal group that imprinted various personalities on "actives". It starred Buffy's Eliza Dushku as Echo, one of the actives. This show somehow made it through one season and was given another, but was given the boot soon after. Bringing me to another edition of

Open Letters to Television (Creators)

Dear Joss,

I hope that now you have learned your lesson. Firefly aired on FOX and it was never treated well. The episodes were aired all out of order, and never regularly. The network simply didn't seem to care. Then comes Dollhouse, with a great premise and a great cast (thanks for bringing in Amy Acker and Summer Glau, by the way!). It might have lasted longer on a cable network (I'm sure that SyFy would love to have you), but instead you went with FOX. Again. I'm so sorry. I really hope that someday you will bring us another show that is as successful as Buffy. Have you considered teaming with JJ Abrams, another television hero of mine?

Dead Like Me-- 2 seasons, 29 episodes

Yet another show that is (am I totally boring you yet?) completely unlike anything else on television. Dead Like Me (created by Bryan Fuller, creator of Wonderfalls and Pushing Daisies, two also very short-lived series)is about a group of grim reapers who go to people when they are about to die to preserve the person's soul so they can move on in peace. The show was another example of too fantastic for TV, like Fuller's other shows. Not only did it have interesting (and eccentric) characters and situations, it dealt with death in a way unlike anything else on television. It had Rebecca Gayheart for a little while (the original choice for Inara on Firefly, minterestingly enough, but she apparently had no chemistry with the rest of the cast.), and also starred Mandy Patinkin, best known (by me) for his role as Inigo Montoya in The Princess Bride and as Georges Seurat in the original cast of Sondheim's Sunday in the Park with George.